Motion Picture segment
“10-K Item 1: 'contributions to the Company's consolidated revenues from its reportable segments included Motion Picture, 60.8% and Television Production, 39.2%.'”
Updated
The most significant concentration Lionsgate Studios discloses is Motion Picture segment at 60.8%, classified HIGH by disclosed size. Below: the full set from the latest 10-K — verbatim quotes, filing references, and a synthesis of what these exposures mean together.
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Source: Lionsgate Studios’s SEC Form 10-K filed — view the filing on SEC EDGAR ↗
Each card carries a disclosed-size chip (HIGH / MEDIUM / LOW — how large the exposure is as a share of revenue, not how dangerous it is) and a nature tag: Built-in(the company’s own model, geography, or products) or Outside party (an external customer, supplier, or distributor it relies on).
“10-K Item 1: 'contributions to the Company's consolidated revenues from its reportable segments included Motion Picture, 60.8% and Television Production, 39.2%.'”
“10-K Item 1: 'Television, 49.5%;'”
“10-K Item 1: 'Home Entertainment, 44.1%;'”
Lionsgate Studios' revenue is concentrated by business line rather than by any single customer or region. The Motion Picture segment contributes 60.8% of consolidated revenue, a high-sized share, while Television Production makes up the remaining 39.2% — together these two segments constitute the entire disclosed revenue base, so the company's fortunes are inherently tied to the performance of theatrical and television content production and distribution as a whole. Within those segments, revenue is further concentrated by monetization channel. Television represents 49.5% of its segment (a medium-sized share), and Home Entertainment represents 44.1% of the Motion Picture segment (also medium-sized). Both are structural exposures tied to the mix of how content gets monetized — through television licensing and home entertainment/streaming sales — rather than dependency on any specific counterparty. This means Lionsgate's results are sensitive to broader shifts in how audiences consume film and TV content, such as declines in home entertainment spending or changes in television licensing economics, more than to the loss of any particular client. Because all four data points describe structural revenue mix rather than single-counterparty dependency, the overall picture is one of business-model concentration risk rather than customer or supplier fragility.
For the engine’s reasoning on LION’s current verdict — including which dimensions drove the score — see the per-dimension breakdown.
| Symbol | Name | HIGH | MEDIUM | LOW | Total |
|---|---|---|---|---|---|
| LION● | Lionsgate Studios Corp | 1 | 2 | 0 | 3 |
| FISV | Fiserv, Inc. | 1 | 0 | 0 | 1 |
| NIQ | NIQ Global Intelligence plc | 0 | 0 | 1 | 1 |
Concentration counts reflect items disclosed in each peer’s most recent 10-K; disclosed-size classification uses TrendMatrix’s internal 10-K extraction taxonomy.